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	<title>Comments on: Opening night</title>
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	<link>http://flyingfox.jonathanjanson.com/2008/12/11/opening-night/</link>
	<description>Words from the Essential Vermeer.com</description>
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		<title>By: ARech</title>
		<link>http://flyingfox.jonathanjanson.com/2008/12/11/opening-night/comment-page-1/#comment-55</link>
		<dc:creator>ARech</dc:creator>
		<pubDate>Sun, 14 Dec 2008 15:31:27 +0000</pubDate>
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		<description>A truly magnificent exhibition! The paintings emanate a silent but vibrant magic only known yet from Vermeer&#039;s masterworks. Everyone who views these &#039;modern Vermeers&#039; (here the portraits in particular) with only a bit of conscience is instantly caught by that calm self-confidence and absorbtion in the current activity of the depicted girls or boys (letter- or email-writing, reading in a magazine, watching TV, even ironing) we adore so much in Vermeer&#039;s own figures.

The various Seattle-views breathe a similar mood of silence, as if the world would stop for a moment and no sound would disturb this moment. Such moments occur, unfortunately seldom enough in our rushing world, full of constant noise. It is all the more most precious to find them caught in these paintings.

Naturally, as usual with any exhibition, the right composition of display and lighting adds essentially to that effect intended for the respective paintings. Here it is done with such care, finest artistic sensitivy and experience for these intentions which leaves no wish open. Only once I couldn&#039;t fully agree with the placement: as the tiny but so serene &#039;Girl Reading a Magazine&#039; (in yellow) hangs alone on a wide wall, looking a bit lost and lonely there. Maybe no suitable &#039;partner&#039; was to be found...

But right: These paintings do no longer need any assistance. Indeed they fend for themselves, and they deserve our unreserved attention and estimation.

AR</description>
		<content:encoded><![CDATA[<p>A truly magnificent exhibition! The paintings emanate a silent but vibrant magic only known yet from Vermeer&#8217;s masterworks. Everyone who views these &#8216;modern Vermeers&#8217; (here the portraits in particular) with only a bit of conscience is instantly caught by that calm self-confidence and absorbtion in the current activity of the depicted girls or boys (letter- or email-writing, reading in a magazine, watching TV, even ironing) we adore so much in Vermeer&#8217;s own figures.</p>
<p>The various Seattle-views breathe a similar mood of silence, as if the world would stop for a moment and no sound would disturb this moment. Such moments occur, unfortunately seldom enough in our rushing world, full of constant noise. It is all the more most precious to find them caught in these paintings.</p>
<p>Naturally, as usual with any exhibition, the right composition of display and lighting adds essentially to that effect intended for the respective paintings. Here it is done with such care, finest artistic sensitivy and experience for these intentions which leaves no wish open. Only once I couldn&#8217;t fully agree with the placement: as the tiny but so serene &#8216;Girl Reading a Magazine&#8217; (in yellow) hangs alone on a wide wall, looking a bit lost and lonely there. Maybe no suitable &#8216;partner&#8217; was to be found&#8230;</p>
<p>But right: These paintings do no longer need any assistance. Indeed they fend for themselves, and they deserve our unreserved attention and estimation.</p>
<p>AR</p>
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