Tim’s Vermeer updateDecember 2nd, 2013
More on the documentary film, TIM’S VERMEER.
The press has really sunken their teeth in it. Three new articles look at how Tim Jenison, an American tech wizard and compulsive inventor, believes he has discovered how Vermeer painted and then painted one to prove it. (see a quick summary of Tim’s story below).
Kurt Andersen of Vanity Fair looks at some of the technical aspects of the undertaking. Tim shows his cards and throws in a high-resolution image of his finished Vermeer to prove his point. To get yourself convinced or unconvinced, read the article, see Tim’s painting and then click here to see the original on which Tim’s reconstruction is based.
Dave Itzkoff of the New York Times registers the art history community’s first reactions. As you would expect, they are doubtful without being explicitly dismissive. I would suspect this not so much to avoid the unsavory prospect of being caught on the wrong side of history (remember how dreadfully wrong some got the Impressionists and Van Meegeren and how much they paid for it?) but for institutional good manners and an understandable apprehension about alienating the broad public which the movie targets and will likely win over. Could any one calculate how many more visitors will be pushing though the turnsyles of Vermeer museums if Tim’s Vermeer clinches an Oscar for best documentary feature?
Stefanie Cohen of the Wall Street Journal furnishes background information about the “optical question” posed by Steadman and then describes Tim’s venture reserving Philip Steadman’s iffy comment for last. Steadman’s meticulous investigation and lucid argumentation regarding Vermeer’s use the camera obscura eventually brought almost all art historians onboard his not-easy to-digest hypothesis (i.e. Vermeer used the camera and traced with it too), no easy trick for an art history outsider.
Will layman Tim do as well? Tim’s story has just begun to be told.
Tim’s Vermeer opens Dec. 6 at Lincoln Plaza Cinema, 1886 Broadway, Manhattan. Opens Dec. 13 in Los Angeles, nationwide on Jan. 31.
“Reverse-Engineering a Genius (Has a Vermeer Mystery Been Solved?)”
Kurt Andersen, Vanity Fair
November 29, 2013
“Engineering His Own Vermeer. Tim Jenison, an Inventor, Paints ‘The Music Lesson’”
Dave Itzkoff, New York Times
November 27, 2013
“A Man Obsessed by a Dutch Master: In ‘Tim’s Vermeer,’ a documentary co-produced by Penn and Teller, an inventor tries to reach into Vermeer’s bag of tricks”
Stefanie Cohen, Wall Street Journal, Nov. 28, 2013