Da Vermeer a Kandinsky. Capolavori dai musei del mondo a Rimini
Jan. 21 – June 3, 2012
Castel Sismondo
Piazza Malatesta
47900 Rimini, Italy

http://www.lineadombra.it/da-vermeer-a-kandinsky/la-mostra

Light Structure – The Light in the Age of Rembrandt and Vermeer
18 November 2011 – 26 February 2012
Museum Hessen Kassel

Seventy superb works from the Baroque age of painting will be displayed in the upcoming exhibition Light Structure: The Light in the Age of Rembrandt and Vermeer, in William Castle Museum in Kassel. The exhibition will address one of the most notable aspects of European painting: the translation of light in painting. Attempts on the part of painters to render the myriad effects of light with paint were paralleled by intense scientific research on light.

In cooperation with the Berlin research group Historical Light Structure (http://www.lichtgefuege.de/index.html) the exhibition examines the different aspects of light painting in the 17th century on the basis of paintings, graphics and optical devices, also in view of the contemporary scientific treatises. The starting point is the art of the 15th and 16 Century and the fundamental innovations of Caravaggio. North of the Alps have been taken including those of Utrecht artists like Gerard van Honthorst and developed.

Different areas of the exhibition are dedicated to the particular diversity and range of Dutch paintings of light, including day light, nocturnal landscapes, interior and portrait paintings. Vermeer’s Girl with a Glass of Wine will be one of the principal works of the exhibition.

museum website: http://www.museum-kassel.de/index_navi.php?parent=1707

Human Connections in the Age of Vermeer
by Arthur K. Wheelock Jr.  and Danielle H.A.C. Lokin
Scala Publishers Ltd
2011

This book focuses on the many forms of communication that existed in seventeenth-century Dutch society between family members, lovers, and professional acquaintances, both present and absent. The forty-four carefully selected Dutch genre paintings include major works by many of the finest masters of the period, including Johannes Vermeer, Pieter de Hooch, Gerard ter Borch and Gabriel Metsu. Vermeer’s three masterpieces about love letters form the core of the exhibition as they are profound examples of the power of communication. Dutch artists of the seventeenth century portrayed the wide range of emotions elicited by the various forms of communication, not only in the manner in which they render gestures and facial expressions of personal interactions, but also in the ways in which they show men and women responding to the written word. The painters often introduced objects from daily life that had symbolic implications, among them musical instruments, to enrich the pictorial narratives of their scenes. Published in conjunction with the exhibition Communication: Visualizing the Human Connection in the Age of Vermeer  (2011-2012), which celebrates the 400th anniversary of the diplomatic exchanges between Japan and the Netherlands, this book connects the pictorial and the literary aspects of Dutch cultural traditions during the Golden Age.

The Fitzwilliman Museum offers  a series of free public lectures to accompany the exquisite exhibition that features four Vermeer paintings including the masterful Music Lesson (rarely on public display) and the Louvre Lacemaker.

All talks are on Friday, 13:15 – 14:00

28 October-2011
Love for sale in the 17rh century: Secrets of the oldest profession.
Colin Wiggins, The National Gallery

18 Novermber-2011
The Rediscovery of Vermeer and the reception of genre painting.
Dr Merideth Hale, History of Art Deprartment, University of Cambridge

Vermeer’s Women: Secrets and Silence
by Marjorie E. Wieseman, Mr. Wayne Franits & H. Perry Chapman
2011
224 pages, Yale University Press

product description from Amazon.com:

Focusing on the extraordinary Lacemaker from the Musée du Louvre, this beautiful book investigates the subtle and enigmatic paintings by Johannes Vermeer that celebrate the intimacy of the Dutch household. Moments frozen in paint that reveal young women sewing, reading or playing musical instruments, captured in Vermeer’s uniquely luminous style, recreate a silent and often mysterious domestic realm, closed to the outside world, and inhabited almost exclusively by women and children.

Three internationally recognized experts in the field explain why women engaged in mundane domestic tasks, or in pleasurable pastimes such as music making, writing letters, or adjusting their toilette, comprise some of the most popular Dutch paintings of the seventeenth century. Among the most intriguing of these compositions are those that consciously avoid any engagement with the viewer. Rather than acknowledging our presence, figures avert their gazes or turn their backs upon us; they stare moodily into space or focus intently on the activities at hand. In viewing these paintings, we have the impression that we have stumbled upon a private world kept hidden from casual regard.

The ravishingly beautiful paintings of Vermeer are perhaps the most poetic evocations of this secretive world, but other Dutch painters sought to imbue simple domestic scenes with an air of silent mystery, and the book also features works by some of the most important masters of 17th-century Dutch genre painting, among them Gerard ter Borch, Gerrit Dou, Pieter de Hooch, Nicolaes Maes, and Jan Steen.

Thanks to the long-term cooperation between the State Hermitage and the Rijksmuseum in Amsterdam the visitors can see today the famous Love Letter, a masterpiece by Johannes  Vermeer  from the collection of the Dutch museum, in one of the Hermitage rooms.

http://www.hermitagemuseum.org/html_En/00/hm0_4_484.html

Kyoto Municipal Museum of Art, Kyoto:   25 June – 16 Oct 2011
Miyagi Museum of Art, Sendai:     27 Oct-2011 – 12 Dec 2011
The Bunkamura Museum of Art, Tokyo:    23 Dec – 14 March 2012

Communication: Visualizing Human Connection in the Age of Vermeer
Kyoto Municipal Museum, Kyoto
June 25 – October 16, 2011

curator:
Arthur K. Wheelock Jr.

second venue:
Bunkamura Museum of Art, Tokyo
December 23, 2001 – March 14, 2012

date to be announced:
The Miyagi Museum of Art
34-1 Kawauchi-Motohasekura, Aoba-ku, Sendai, Miyagi

After the arrival of Vermeer’s Geographer, it’s the world premiere of Vermeer’s Woman in Blue Reading a Letter after its restoration.

exhibition website (in Japanese only):
<http://vermeer-message.com/>

Vermeer’s Women: Secrets and Silence
October 5, 2011 – January 15, 2012
The Fitzwilliam Museum, Cambridge, England

from the museum website:
At the heart of this visually stunning exhibition is Vermeer’s extraordinary painting The Lacemaker (c.1669-70) – one of the Musée du Louvre’s most famous works, rarely seen outside Paris and now on loan to the UK for the first time. The painting will be joined by a choice selection of other key works by Vermeer representing the pinnacle of his mature career, and over thirty other masterpieces of genre painting from the Dutch “Golden Age.” Featuring works from museums and private collections in the UK, Europe and the USA – many of which have never been on public display in Britain – this Cambridge showing will be the only chance to see these masterworks brought together in one location.

<http://www.fitzmuseum.cam.ac.uk/whatson/exhibitions/article.html?2793>