Flying Fox

Words from the Essential Vermeer.com

Archive for the ‘uncategorized’ Category

Is it or isn’t it?

November 15th, 2009

Drawings by Rembrandt and His Pupils: Telling the Difference
December 8, 2009–February 28, 2010

saskia

from the Getty website:
Coming in December, the J. Paul Getty Museum in Los Angeles presents an unprecedented exploration of the drawings of Rembrandt van Rijn and his students. Rembrandt was a popular teacher with dozens of pupils, and he taught all of them to draw in his style. But which of the thousands of drawings created in his studio are by Rembrandt himself—and how do we tell the difference?

This innovative exhibition untangles the mystery, inviting visitors to help solve the puzzle by looking closely to distinguish artists’ styles for themselves. Distilling over 30 years of scholarly research, this major international loan exhibition presents a singular opportunity to explore the differences between Rembrandt’s drawings and those of more than 14 pupils and followers. In carefully selected pairings of celebrated drawings by Rembrandt and his pupils, the exhibition outlines these artistic differences and sheds light on the art of drawing in Rembrandt’s circle and the vibrant creative life within the master’s studio.

http://www.getty.edu/art/exhibitions/rembrandt_drawings/

Tulpmania…2009 style

December 26th, 2008

from Prospect:

The prices of contemporary art works have risen to astonishing levels in recent years. Insiders say it’s because we have been living through a golden age of art. Nonsense, argue Ben Lewis and Jonathan Ford, it is a classic investment bubble.

The bubble in contemporary art is about to pop. It has exhibited all the classic features of the South Sea bubble of 1720 or the tulip madness of the 1630s. It has been the bubble of bubbles—balancing precariously on top of other now-burst bubbles in credit, housing and commodities—and inflating more dramatically than all of them. While British house prices took six years to double at the start of this century, contemporary art managed it in just one, 2006-07. (Over the same period, old masters went up by just 7.6 per cent and British 17th to 19th century watercolours actually lost value.) Contemporary art in the emerging economies did even better. The value of its sales in China increased by 983 per cent in one year (2005-06). In Russia they rose 2,365 per cent in five years (2000-05), while its stock market increased by “only” about 300 per cent.

Even these numbers understate the incredible tulip-like increases in the value of the hottest artists. The Chinese painter Zhang Xiaogang saw his work appreciate 6,000 times, from $1,000 to $6m (1999-2008); work by the American artist Richard Prince went up 60 to 80 times (2003-2008). The German painter Anselm Reyle was unknown in 2003; you could have picked up one of his stripe paintings for €14,000. Now he has a studio with 60 assistants turning them out for about €200,000 each. Any figures for the whole contemporary art market are guesswork, though Christie’s chief executive, Ed Dolman, recently estimated that it had grown in value from $4bn a year to somewhere between $20-30bn in the past eight years.

Vermeer’s Love Letter visits Vancouver

December 19th, 2008

Vermeer,  Rembrandt and the Golden Age of Dutch Art: Masterpieces from the Rijksmuseum
Vancouver Art Gallery
May 9 to September 13, 2009

This exhibition will highlight works of art of the 17th c. Dutch painting masters of the Golden Age. It will feature well over 100 works by many of the most celebrated masters of the period such as Aelbert Cuyp, Gerard Dou, Franz Hals, Rembrandt van Rijn, Jacob van Ruisdael, Gerard ter Borch and Johannes Vermeer, as well as an extraordinary selection of decorative arts, including furniture, silver, glassware, porcelain and textiles.

This exhibition is organized in collaboration with the Rijksmuseum and will include Vermeer’s late masterpiece, The Love Letter.