Posts Tagged ‘Vermeer’s painting technique’

Vermeer and Technique: a National Gallery web study

September 1st, 2013
vermeer-eye

Click here to discover the techniques and materials behind four of Vermeer’s music-themed paintings on display in the exhibition Vermeer and Music: The Art of Love and Leisure.

Illuminating and richly illustrated. All articles are authored by the National Gallery’s Helen Howard, Scientific Officer – Microscopist; David Peggie, Scientific Officer – Organic Analyst; and Rachel Billinge, Research Associate in the Conservation department.

Topics include:

Support and ground
Infrared examination
Vermeer’s palette
Binding medium
Paint application
Secrets of the studio
Altered appearance of ultramarine
Fading of yellow and red lake pigments
Drying and paint defects
Formation of lead and zinc soaps

from the National Gallery website:
The extended loan of Vermeer’s The Guitar Player from Kenwood House enabled National Gallery researchers to analyse the painting’s materials and closely study the techniques used. The findings were compared with other late paintings by Vermeer in the National Gallery (A Young Woman Seated at a Virginal and A Young Woman Standing at a Virginal), and a slightly earlier work (The Music Lesson) kindly lent by the Royal Collection for the National Gallery’s 2013 summer exhibition Vermeer and Music: The Art of Love and Leisure.